Films such as Kabir Singh and Animal have normalised toxic masculinity to the point where the gentleness of Arun in the 1976 film Chhoti Si Baat is almost disorientating.
The beauty of Basu Chatterjee’s storytelling in Khatta Meetha was that he didn’t show remarriage as something frowned upon or in need of justification.
‘Rajnigandha’ articulated the conflicting thoughts of its woman protagonist, at a time when inner female turmoil wasn’t considered a crowd-puller or even an interesting film plot.
The current Iran war has laid bare a fundamental reality: 20 per cent of global energy trade cannot afford to rely on a single artery, no matter how resilient and cost-effective.
Regulator seeks feedback on allowing firms to repurchase shares via exchanges after tax changes, as markets reel from war-led selloff and foreign outflows.
It’s easy to understand why the government can’t speak the hard truth. When this war ends, as all wars do, India’s interests will lie with both the winner and the loser.
Progressive? Dude was a freaking stalker.I am sure no girl in her right mind would wand a ‘progressive,positive masculine ‘amol parikar following her everywhere
Progressive? Dude was a freaking stalker.I am sure no girl in her right mind would wand a ‘progressive,positive masculine ‘amol parikar following her everywhere