New Delhi: Salman Khan is taking fans down memory lane with his newly launched YouTube channel, ‘Being The Salman Khan’. The content so far offers a glimpse into different versions of the actor through the years.
The actor shared the link to the channel on his Instagram story on Friday.
“Shuru se shuru karte hain… mera official YouTube channel A se Z tak sab yahan milega,” he wrote.
Khan started the channel on 22 September. So far, he has uploaded 10 videos featuring two versions of the actor, one portraying an acting and personality coach and the other a novice student. In several videos, the coach teaches the student about body movements, dialogue delivery and the mannerisms associated with Khan.
Before launching this channel, through which he is set to share his journey from the beginning, Khan had another YouTube channel, ‘Salman Khan Films Music’, which was launched in 2020 and has nearly three million subscribers.
The older channel features songs from his films, along with tracks he released during the Covid-19 pandemic. During that period, Khan also tried his hand at singing, releasing songs such as ‘Pyaar Karona’ and ‘Tere Bina’.
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The black buck past
Meanwhile, the Delhi High Court has sought Salman Khan’s response to a plea by the makers of the upcoming film Kala Hiran: The Battle for Legacy, seeking the rejection of his suit to restrain the film’s release because the court lacks territorial jurisdiction. The court has granted Khan four weeks to file his response and scheduled the next hearing for 16 December.
The poster of the film was released on 29 May, announcing the trailer launch on 20 June. The film is directed by Bharat S. Shrinate and produced by Amit Jain, while the cast of the film has not been announced yet.
The film will reportedly be based on the 1998 blackbuck poaching case, in which Salman Khan was accused of hunting two blackbucks, a protected species under the Wildlife Protection Act, during the shooting of the film Hum Saath Saath Hain (1999) in Kankani village near Jodhpur, Rajasthan.
(Edited by Ratan Priya)