Stela Dey Author at ThePrint

44 POSTS

Stela Dey is Senior Assistant Editor, Opinion and Ground Reports, at ThePrint. She joined the organisation in 2025 and is part of the Opinion and Ground Reports team. Stela can be reached at stela.dey@theprint.in

Meet the 1st all-girl Arunachal band. Gilithigreams is singing for Northeast

+TFP

Stela Dey -

April 26, 2026

Tawang’s Museum of Valour joins two worlds— a tribe’s heritage and a nation’s border

+TFP

Stela Dey -

April 25, 2026

A Shillong exhibition gets new funds to go big. All the art is about what they are losing

Stela Dey -

April 17, 2026

Amitav Ghosh wants to fight climate change with faith, not reason

Stela Dey -

April 7, 2026

The influencer war that took rural creator Pujarini Pradhan global

Stela Dey -

April 4, 2026

Maach & mutton for Mission Bengal. What BJP-TMC are cooking in new poll battleground

Stela Dey -

April 4, 2026

The big fat IPS wedding people just can’t stop talking about

Stela Dey -

April 1, 2026

Italy’s latest art theft and 6 museum heists that are better than any ‘Oceans’ film

Stela Dey -

March 31, 2026

Dhurandhar shows Bollywood has a new box office mix—controversy, nationalism & spectacle

Stela Dey -

March 21, 2026

Dhurandhar shows audiences haven’t lost patience—four-hour movies are back

Stela Dey -

March 19, 2026

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Stela Dey

Meet the 1st all-girl Arunachal band. Gilithigreams is singing for Northeast

Tawang’s Museum of Valour joins two worlds— a tribe’s heritage and a nation’s border

A Shillong exhibition gets new funds to go big. All the art is about what they are losing

Amitav Ghosh wants to fight climate change with faith, not reason

The influencer war that took rural creator Pujarini Pradhan global

Maach & mutton for Mission Bengal. What BJP-TMC are cooking in new poll battleground

The big fat IPS wedding people just can’t stop talking about

Italy’s latest art theft and 6 museum heists that are better than any ‘Oceans’ film

Dhurandhar shows Bollywood has a new box office mix—controversy, nationalism & spectacle

Dhurandhar shows audiences haven’t lost patience—four-hour movies are back

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