In ‘Portrait of an Artist’, published by Kiran Nadar Museum of Art and Mapin Publishing in 2026, Rohit Chawla revisits a conversation with Raghu Rai on art, obsession and photography.
Through film, textile, scent, sound, and gesture, spectators are invited to descend into an immersive environment where inherited knowledge seeps through material and form.
Photography, videography allowed only for official purposes. Use of phones, cameras, tripods, selfie sticks banned. Mediapersons restricted to lawn area in low security zone.
In Taana Baana, photographer Rajeev Srivastava captures the layered rhythms of Delhi through vintage lenses. His images range from solitary streets to cosmic blooms.
At an IHC photo exhibit, curator Neville Tuli opened up his trove of rare photos—many of which document seismic churns in India’s history, each of them a coming-of-age moment.
In West Bengal, photography flourished as a dynamic art form painting a rich picture of urban life. But in Bangladesh, the 1971 Liberation War was the heart of its photographic story.
Inaugurating the Biennale’s first exhibition, Tamil film director Pa Ranjith said that there is a growing gap between people and art, and spaces like the CPB are crucial for bridging it.
In a sea of sameness, real plot twist now isn’t perfection, it’s presence. Ten years ago, what would not have been a personality is now setting standard because no one is trying.
This is the transcript of Ep 1830 of Cut the Clutter, where Shekhar Gupta explains why strategic petroleum reserves are a national necessity & how India compares with China, US & Japan.
Tracked and wheeled variants, built in collaboration with Tata Advanced Systems and Bharat Forge, carry 30mm turrets, cross water using hydro jets, and are 65% indigenous.
American objectives are unmet. They neither have muscle nor motivation to resume the war. As for Iran, the regime didn’t just survive, it’s now led by more radical individuals.
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