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Wednesday, October 8, 2025
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Reel Take

‘Main Tulsi Tere Aangan Ki’ was a cringy film on adultery. All-forgiving wife was 80s ideal

Main Tulsi Tere Aangan Ki emphasises the qualities that make an ideal wife, sacrifice at the top of the list, and the ability to forgive her husband for anything and everything.

‘In Retreat’ film shows a different side of Ladakh. It’s not like Aamir Khan’s 3 Idiots

The movie serves as a reminder of director Maisam Ali’s roots, and reflects his vision of home.

Gulzar’s Mausam had a plot as old as the hills, still held its own against Sholay & Deewar

Unlike Yash Chopra's Lamhe, which didn’t do well at the box office, Gulzar’s movie was received well.

Rekha’s Ghar asks an important question—How does a couple survive sexual assault?

The 1978 classic Ghar attempts to start a conversation around rape and trama, which is absent from most Hindi films to date.

English is a very funny language—Bachchan gave the OG Bollywood monologue in ‘Namak Halaal’

While Bachchan has been rightly applauded for his dialogue delivery in ‘Namak Halaal’, the writer is not widely known—it was actor Kader Khan.

Rekha’s Khoon Bhari Maang showed revenge doesn’t have to be violent—it can also be fashionable

Eccentric headgear, leather outfits, lace gloves, pearls—Rekha’s sartorial choices dominated Rakesh Roshan’s thriller.

Bollywood’s playful resistance to Emergency was Rekha’s Khubsoorat

Khubsoorat won the Filmfare Best Film award in the 1980s. It established Rekha as a star who could carry a film on her own, even in the absence of famous male hero.

‘Insaf Ka Tarazu’ was well-intentioned but couldn’t resist rape fetishisation of ’80s Bollywood

BR Chopra's 1980 remake of 'Lipstick' revived Raj Babbar's career, stalled for three years after his banned debut 'Kissa Kursi Ka'. Despite hesitation, Babbar accepted the role of a serial rapist.

‘Dosti’ was 1964’s breakout hit. A Bollywood film with no romance, hero-villain drama

Its actors, Sudhir Kumar and Sushil Kumar, were not superstars. The music was directed by Laxmikant-Pyarelal, when they were still not the powerhouse they eventually became.

‘Aasha’ explored a different view of one-sided love—that of the woman

Aasha, played by Reena Roy, is complex and empathetic—something female characters in Om Prakash movies have in common.

On Camera

Once you know how UPA handled illegal Bangladeshi immigrants, you see Modi govt’s propaganda

The 'ghuspaithiya' narrative is being whipped up precisely when illegal immigration has actually diminished. Like most BJP-RSS ideas, it’s just an unimaginative Right-wing trope.

Vietnam & China cutting into India’s footwear exports, NITI Aayog calls for tariff cuts, R&D push

With non-leather products driving global footwear demand between 2020 and 2024, India’s global market share stood at 1.85% in 2024, says a NITI Aayog report.

ISKP & Lashkar converging under aegis of Pakistan’s ISI to take on Baloch fighters

ISKP, a sub-continental branch of the Islamic State, is said to have vowed to extend operations in Kashmir, on encouragement from Pakistan’s security establishment.

How Pakistan thinks: Army for hire, ideology of convenience

Pakistan’s army has been a rentier force available to a reasonable bidder. It has never come to the aid of any Muslims including Palestinians or the Gazans, except making noises here and there.