The beauty of Basu Chatterjee’s storytelling in Khatta Meetha was that he didn’t show remarriage as something frowned upon or in need of justification.
Khandhar’s emotional core lies in what is left unsaid. Shabana Azmi and Naseeruddin Shah's towering performances convey unspoken yearning and forbidden longing without relying on dialogues.
Rajesh Khanna and Sharmila Tagore played a couple falling apart in Aavishkar. Basu Bhattacharya based it on his own marriage and even filmed it in his house.
The grandmother's insistence on consulting a girl’s astrological birth chart to determine her capacity to bear a son underlines how superstition and patriarchy are deeply intertwined.
The 1963 film Dil Hi Toh Hai, starring Raj Kapoor and Nutan, is a compelling outlier in the ‘Muslim Social’ genre. It defied conventions, even if gently.
If it weren’t for its memorable songs, Kal Aaj Aur Kal would likely have faded into obscurity with its lacklustre performances, weak writing, and no memorable dialogues.
Mehmood made the film to raise awareness about polio, which had affected his own son, Maqdoom Ali. It also marked the acting debut of his other son, Lucky Ali.
The graduation is meant to bolster the legacy and legitimacy of Sheikh Hasina's Awami League, even as the real-world preparedness lagged behind the glossy narrative.
Indonesia delegation led by Defence Minister Sjafrie Sjamsoeddin visited BrahMos facility & met with top officials & undertook a detailed briefing on the missile system.
It is a brilliant, reasonably priced, and mostly homemade aircraft with a stellar safety record; only two crashes in 24 years since its first flight. But its crash is a moment of introspection.
COMMENTS