scorecardresearch
Wednesday, September 3, 2025
TopicOld movies

Topic: Old movies

Khandhar is Mrinal Sen’s most poetic film. It’s a masterpiece of stillness and silence

Khandhar’s emotional core lies in what is left unsaid. Shabana Azmi and Naseeruddin Shah's towering performances convey unspoken yearning and forbidden longing without relying on dialogues.

With Aavishkar, Basu Bhattacharya turned his troubled marriage into a masterpiece

Rajesh Khanna and Sharmila Tagore played a couple falling apart in Aavishkar. Basu Bhattacharya based it on his own marriage and even filmed it in his house.

Ek Dil Sau Afsane exposes a society obsessed with male child. It remains relevant even today

The grandmother's insistence on consulting a girl’s astrological birth chart to determine her capacity to bear a son underlines how superstition and patriarchy are deeply intertwined.

Dil Hi Toh Hai was a ‘Muslim social’ — but it put insaniyat and sharafat above khandan

The 1963 film Dil Hi Toh Hai, starring Raj Kapoor and Nutan, is a compelling outlier in the ‘Muslim Social’ genre. It defied conventions, even if gently.

Trishul tested Amitabh Bachchan’s emotional range—and he was more than an angry young man

Trishul came when Salim-Javed were at the high point of their creativity and Bachchan at the top of his stardom.

Jaya Bachchan made Mili unforgettable. Her acting rivalled Rajesh Khanna’s in Anand

With this 1975 film, Jaya Bachchan established herself as a serious performer in an era where women were confined to glamorous, arm-candy roles.

Kal Aaj Aur Kal brought Kapoors together on big screen. That’s all it’s remembered for

If it weren’t for its memorable songs, Kal Aaj Aur Kal would likely have faded into obscurity with its lacklustre performances, weak writing, and no memorable dialogues.

‘Kunwara Baap’ was closest to Mehmood’s heart. Tested his limits as an actor

Mehmood made the film to raise awareness about polio, which had affected his own son, Maqdoom Ali. It also marked the acting debut of his other son, Lucky Ali.

Haqeeqat shows the painful futility of war. Doesn’t mask realities with bravado

The 1964 film offers a grim look at the lives of Indian soldiers fighting in tough conditions. Chetan Anand calls out the government’s lack of military preparedness without pulling any punches.

Kamal Amrohi’s ‘Razia Sultan’ lacked the magic of Pakeezah. Only opulence, no substance

Like Pakeezah, Kamal Amrohi’s Razia Sultan had all the right ingredients–superstar Hema Malini as leading lady, Bhanu Athaiya as costume designer, and Khayyam as music director. But none of it could translate into magic on screen.

On Camera

On Arundhati Roy, mother-daughter conflicts, and the burden of being a ‘good mother’

When reading the book, one can see Roy’s mother as a 'fascist government' unto herself, the centre of her own cult. In Arundhati’s words, Mary Roy was ‘mother guru’.

A Rs 33,000 cr ‘banking fraud’: ED’s case against Arvind Dham, Amtek’s web of ‘500 shell companies’

ED has accused Amtek promoter Arvind Dham of controlling web of nearly 500 shell companies operating as a layered structure, with up to 15 levels of indirect ownership, to divert funds.

‘Loyal wingman’ to full ICBM triad & air defence, China’s show of power at Victory Day parade

China flaunted military might & modernisation as it displayed stealth drones, anti-satellite system & cyber warfare contingent during parade to mark victory over Japan in WWII.

For Indian Mercedes, Asim Munir’s dumper truck in mirror is closer than it appears

From Munir’s point of view, a few bumps here and there is par for the course. He isn’t going to drive his dumper truck to its doom. He wants to use it as a weapon.