Modelling was once a stepping stone to a film career. Now, the tables have turned. Bollywood actors have hijacked the platform and kicked out the professionals from the ramp.
Mannequin: Working Women in India’s Glamour Industry manages to avoid the traditional trap of pitting feminists and the glamour industry against each other.
Ventures by Japan, South Korea and Taiwan illustrate how the race for REE security is accelerating, powered by both geopolitical tension and industrial strategy.
ThePrint had previously reported that India & Russia are talking about 5 more regiments of the S-400, but no contracts are to be signed during the Russian president's visit.
It is a brilliant, reasonably priced, and mostly homemade aircraft with a stellar safety record; only two crashes in 24 years since its first flight. But its crash is a moment of introspection.
What kind of journalism is this?
Is The Print going to allow it’s platform to be used for such frivolous articles?
Is there nothing more important in our lives than the quality of catwalks at fashion shows? Or the “lack” of modelling stars?
Ms. Triya Gulati, please try to understand that there are matters of much more importance in this nation of 1.5 billion people. The quality of ramp-walks or modelling are not really a matter of concern to the average Indian. It may be of concern to Karan Johar and others of his ilk, who think someone walking the ramp for a designer is suited to work in films.
Also, this concept of transitioning from modelling to films is gross and absurd. People must transition from theatre to cinema – that’s the only way to ensure that we produce high quality cinema. When models start transitioning into films, we get typical Bollywood masala films – which are an abomination.
What kind of journalism is this?
Is The Print going to allow it’s platform to be used for such frivolous articles?
Is there nothing more important in our lives than the quality of catwalks at fashion shows? Or the “lack” of modelling stars?
Ms. Triya Gulati, please try to understand that there are matters of much more importance in this nation of 1.5 billion people. The quality of ramp-walks or modelling are not really a matter of concern to the average Indian. It may be of concern to Karan Johar and others of his ilk, who think someone walking the ramp for a designer is suited to work in films.
Also, this concept of transitioning from modelling to films is gross and absurd. People must transition from theatre to cinema – that’s the only way to ensure that we produce high quality cinema. When models start transitioning into films, we get typical Bollywood masala films – which are an abomination.