Modelling was once a stepping stone to a film career. Now, the tables have turned. Bollywood actors have hijacked the platform and kicked out the professionals from the ramp.
Mannequin: Working Women in India’s Glamour Industry manages to avoid the traditional trap of pitting feminists and the glamour industry against each other.
Mamdani’s politics feels unusual compared to India’s current climate. He unapologetically foregrounds Muslim identity at a time when doing so in India invites scrutiny.
On 4 November 2025, NCLAT bench, comprising Chairperson Justice Ashok Bhushan and Member Arun Baroka, noted that WhatsApp and Meta are distinct legal entities.
This world is being restructured and redrawn by one man, and what’s his power? It’s not his formidable military. It’s trade. With China, it turned on him.
What kind of journalism is this?
Is The Print going to allow it’s platform to be used for such frivolous articles?
Is there nothing more important in our lives than the quality of catwalks at fashion shows? Or the “lack” of modelling stars?
Ms. Triya Gulati, please try to understand that there are matters of much more importance in this nation of 1.5 billion people. The quality of ramp-walks or modelling are not really a matter of concern to the average Indian. It may be of concern to Karan Johar and others of his ilk, who think someone walking the ramp for a designer is suited to work in films.
Also, this concept of transitioning from modelling to films is gross and absurd. People must transition from theatre to cinema – that’s the only way to ensure that we produce high quality cinema. When models start transitioning into films, we get typical Bollywood masala films – which are an abomination.
What kind of journalism is this?
Is The Print going to allow it’s platform to be used for such frivolous articles?
Is there nothing more important in our lives than the quality of catwalks at fashion shows? Or the “lack” of modelling stars?
Ms. Triya Gulati, please try to understand that there are matters of much more importance in this nation of 1.5 billion people. The quality of ramp-walks or modelling are not really a matter of concern to the average Indian. It may be of concern to Karan Johar and others of his ilk, who think someone walking the ramp for a designer is suited to work in films.
Also, this concept of transitioning from modelling to films is gross and absurd. People must transition from theatre to cinema – that’s the only way to ensure that we produce high quality cinema. When models start transitioning into films, we get typical Bollywood masala films – which are an abomination.