In a streaming landscape crowded with stylised violence and formulaic crime lords, Sudip Sharma brings in cops and villains who are complex and human, Nagaland to Punjab.
Kohrra, CAT, Tabbar, Amar Singh Chamkila, Dunki, and Chamak—this latest wave of Punjabi content is taking an unflinching look at the lingering wounds of militancy, caste, drugs, and police brutality.
Dahaad, Paatal Lok, Kohrra, and Kathal are recent productions that are breaking stereotypes about the quintessential Bihari cop banging tables under a single lightbulb.
Nick Jonas is not trying to modernise the mangalsutra, but his gesture shows that choices can be equal. If commitment must be flaunted, it need not be gendered.
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