Titled 'Happy Women's Pay', the campaign uses slam poetry to contrast the familiar language of corporate Women's Day celebrations with a demand — pay parity.
The ad by Lilly India is opening the door to a weight loss conversation. It features links to research papers from the World Health Organisation and Columbia University.
The new promo largely relies on YouTuber Abhishek Malhan’s one-liner, which feels lazy and juvenile. The ending makes it even worse when the fans chant a bland slogan.
Nilkamal’s plastic chairs have sat through India’s weddings, neighbourhood meetings, and feasts. The brand’s new ad makes the product an object of reverence.
Crafted by OpenAI’s in-house team with the agency Isle of Any and director Miles Jay, the ads are minimal and relatable. They capture ‘the everyday magic’ of using ChatGPT.
At 2nd such summit in Punjab for top investors organised by AAP since it came to power in Punjab, Lakshmi Mittal announced his Bathinda refinery has increased production of LPG by 3,000 tonnes/day.
The Nirouyeh Vijeh Pasdaran Velayat, or NOPO, was the only force Ali Khamenei trusted.It was founded in 1991 and is more feared than the Revolutionary Guards.
Trump has ushered in the age of humiliation. His method is to push around America’s friends rudely and publicly. He knows none of them can afford to fight back.
Komolika and Prerna were stupid characters from an idiotic circus “Kasautii Zindagi Ke”. No millennial I know of took these buffoons seriously. Most certainly words such as “icons” are nit meant to be bandied about.
The less said about Ganji Chudail the better.
Pathetic reportage. Lame journalism.
Komolika and Prerna are “childhood icons of millennials” and Youtube recreated the “magic of Ekta Kapoor’s daily soap”?
Ganji Chudail is a “cultural icon”?
In Ms. Triya Gulati, The Print has found a journalist who keeps giving, sort of the golden goose.
It’s hilarious and ridiculous at the same time. Every single Ekta Kapoor soap was cringe. No millennials watched them. It was their parents, usually the mothers and aunts of millennials, who watched these fetid and putrid shows.
Komolika and Prerna were stupid characters from an idiotic circus “Kasautii Zindagi Ke”. No millennial I know of took these buffoons seriously. Most certainly words such as “icons” are nit meant to be bandied about.
The less said about Ganji Chudail the better.
Pathetic reportage. Lame journalism.
Komolika and Prerna are “childhood icons of millennials” and Youtube recreated the “magic of Ekta Kapoor’s daily soap”?
Ganji Chudail is a “cultural icon”?
In Ms. Triya Gulati, The Print has found a journalist who keeps giving, sort of the golden goose.
It’s hilarious and ridiculous at the same time. Every single Ekta Kapoor soap was cringe. No millennials watched them. It was their parents, usually the mothers and aunts of millennials, who watched these fetid and putrid shows.