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Reel Take

Doosara Aadmi tackled emotional infidelity before Bollywood had a language for it

The 1977 film Doosara Aadmi explored obsession, longing, and the human tendency to seek lost love in new relationships. It’s one of Rakhee’s most nuanced performances.

Kal Aaj Aur Kal brought Kapoors together on big screen. That’s all it’s remembered for

If it weren’t for its memorable songs, Kal Aaj Aur Kal would likely have faded into obscurity with its lacklustre performances, weak writing, and no memorable dialogues.

‘Kunwara Baap’ was closest to Mehmood’s heart. Tested his limits as an actor

Mehmood made the film to raise awareness about polio, which had affected his own son, Maqdoom Ali. It also marked the acting debut of his other son, Lucky Ali.

Kaala Patthar is about workers’ woe. It has real Angry Young Bachchan

What stands out in Kaala Patthar is its inclusion of working women as characters. Parveen Babi is a journalist, Neetu Singh is a bangle seller, and Rakhee plays Doctor Sudha.

Haqeeqat shows the painful futility of war. Doesn’t mask realities with bravado

The 1964 film offers a grim look at the lives of Indian soldiers fighting in tough conditions. Chetan Anand calls out the government’s lack of military preparedness without pulling any punches.

In Subhash Ghai’s Karma, prison drama meets patriotism. It’s a Republic Day staple

Karma is remembered for 'Aye Watan Tere Liye' song. It became a staple patriotic song in the ’80s and ’90s and was played endlessly on radio.

Horror film ‘Bokshi’ flips the wicked witch concept—gore, folklore, and feminine power

Director Bhargav Saikia’s supernatural horror film ‘Bokshi’ will have its world premiere at the International Film Festival Rotterdam 2025.

Kamal Amrohi’s ‘Razia Sultan’ lacked the magic of Pakeezah. Only opulence, no substance

Like Pakeezah, Kamal Amrohi’s Razia Sultan had all the right ingredients–superstar Hema Malini as leading lady, Bhanu Athaiya as costume designer, and Khayyam as music director. But none of it could translate into magic on screen.

Raj Kapoor’s Prem Rog is a flawed film on widow remarriage. Rishi Kapoor rescues the damsel

In Prem Rog, the narrative is dominated by male characters. Padmini Kolhapure who plays the female protagonist does not put up a fight.

Shyam Benegal’s ‘Suraj Ka Satvan Ghoda’ asks—is love doomed by poverty or saved by rebellion?

Shyam Benegal’s adaptation of Dharamvir Bharati’s novel 'Suraj Ka Satvan Ghoda' has a layered narrative structure. Its non-linear storytelling blurs the line between fiction and reality.

On Camera

Nobel committee, note how Trump allowed Munir to make nuclear threat against India from US soil

So far, India has responded to his threats with a measured, diplomatic, strategic, and multi-dimensional approach. Now, it needs to react firmly.

Modi’s ‘Diwali bonanza’ for the common man—next-gen GST reforms, lower tax on daily-use items soon

Finance ministry says the proposed revamp will focus on structural reforms, rate rationalisation & ease of living, & will be deliberated upon in the coming weeks.

What is Project Sudarshan Chakra, announced by Modi from ramparts of Red Fort

The project is meant to be a ‘protective shield that will keep expanding’, the PM said. It is on the lines of the ‘Golden Dome’ announced by Trump, it is learnt.

War of IAF, PAF doctrines: As Pakistan obsesses over numbers, India embraces risk, wins

Now that both IAF and PAF have made formal claims of having shot down the other’s aircraft in the 87-hour war in May, we can ask a larger question: do such numbers really matter?