Kiran Rao’s ‘Laapataa Ladies’ was the talk of the town in March 2024. In Aditya Dhar’s ‘Dhurandhar: The Revenge’, women serve as mere victims and plot devices.
China patiently invested capital, skill and technology in coal gasification. Unlike it, we won’t move from words to action. As crude prices decline, we lose interest.
The left liberal Pakistan loving media is finding the most hilarious & innovative ways to discredit Dhurandhar 2 .
They forget that it’s a Man on a Mission…espionage thriller that revolves around the underworld and covert intelligence network operating under the most dangerous conditions. Women generally have a secondary role in such genres in world cinema as well.
The author is probably unhappy about the absence of cross border romance between spies with a skimpily dressed Katrina or Deepika cavorting on a item song with a aged Shahrukh Khan in a YRF ” Aman ki Asha ” circus .
Aditya Dhar made a spy thriller. John Wick avenged a dog and nobody cried. Pushpa had Rashmika doing item numbers across two films and the internet made dance reels. But Dhurandhar hits big and suddenly it’s a women’s crisis. It’s a spy film. Women have always been supporting cast in the genre. Always. But sure — somewhere in that screenplay, Dhar is personally plotting against womankind. One frame at a time
The left liberal Pakistan loving media is finding the most hilarious & innovative ways to discredit Dhurandhar 2 .
They forget that it’s a Man on a Mission…espionage thriller that revolves around the underworld and covert intelligence network operating under the most dangerous conditions. Women generally have a secondary role in such genres in world cinema as well.
The author is probably unhappy about the absence of cross border romance between spies with a skimpily dressed Katrina or Deepika cavorting on a item song with a aged Shahrukh Khan in a YRF ” Aman ki Asha ” circus .
That’s Insha’s idea of strong empowered women.
How far can an ideologically compromised writer can go to discredit a movie that doesn’t match her ideology.
Dhurandhar has Rahman Dakait’s wife slapping him. She doesn’t wear Burkha.
Yaleena wears short dresses, goes to night club and smashes her father’s Patriarchy.
Yaleena points a gun at her husband when she finds out his secret.
Rahman Dakait’s wife slaps Hamza in front of hundreds of people.
Rahman Dakait’s mother had an extramarital affair in Pakistan so many years ago.
Even a handful of female characters are stronger than all the men shown in the film. How much more strength of women does Insha want ?
Lol. What is this blog complaining about.
Aditya Dhar made a spy thriller. John Wick avenged a dog and nobody cried. Pushpa had Rashmika doing item numbers across two films and the internet made dance reels. But Dhurandhar hits big and suddenly it’s a women’s crisis. It’s a spy film. Women have always been supporting cast in the genre. Always. But sure — somewhere in that screenplay, Dhar is personally plotting against womankind. One frame at a time