‘Pathbreakers 2.0’, on display till 26 April at Delhi’s IHC, delves into the lives of India’s earliest women artistes who broke the glass ceiling in their respective fields.
When the British Raj encountered Tawaifs—women with agency and autonomy—they were confounded and threatened, unable to categorise this community within their social divisions.
Nick Jonas is not trying to modernise the mangalsutra, but his gesture shows that choices can be equal. If commitment must be flaunted, it need not be gendered.
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