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Saturday, January 3, 2026
TopicFilmi Flashback

Topic: Filmi Flashback

‘Abhinetri’ starts conversation on married women and work. Happy, neat ending takes priority

The tragedy of the 1970 movie lies in its squandered potential. As young actors, both Hema Malini and Shashi Kapoor's performances lacked emotional depth.

When Rajesh Khanna was upstaged by a toddler. Aakhri Khat is a forgotten gem

Director Chetan Anand didn’t let Rajesh Khanna sleep for three nights before shooting a pivotal scene. He would call him in the middle of the night.

Hamraaz was Bollywood’s Shakespearean tragedy. Sunil Dutt, its Othello

The popularity of the film’s album can be jointly credited to the lyrics of Sahir Ludhianvi and the soulful voice of Mahendra Kapoor.

Yash Chopra’s ‘Daag’ had a love triangle with no jealousy. It happily ends in bigamy

Daag would go on to establish Chopra as a filmmaker who would not just explore the fun elements of romance but also touch upon subjects like infidelity, and in this case, bigamy.

Dil Hi Toh Hai was a ‘Muslim social’ — but it put insaniyat and sharafat above khandan

The 1963 film Dil Hi Toh Hai, starring Raj Kapoor and Nutan, is a compelling outlier in the ‘Muslim Social’ genre. It defied conventions, even if gently.

Trishul tested Amitabh Bachchan’s emotional range—and he was more than an angry young man

Trishul came when Salim-Javed were at the high point of their creativity and Bachchan at the top of his stardom.

Ek Chadar Maili Si isn’t an easy watch. Hema Malini plays a woman trapped by tradition

Based on Rajinder Singh Bedi’s Urdu novel, the 1986 film directed by Sukhwant Dhadda is a portrayal of a woman’s bruised dignity and the silent scream of suppressed rebellion.

Jaya Bachchan made Mili unforgettable. Her acting rivalled Rajesh Khanna’s in Anand

With this 1975 film, Jaya Bachchan established herself as a serious performer in an era where women were confined to glamorous, arm-candy roles.

ChaalBaaz was Bollywood’s wild take on feminism. Sridevi showed no one did double roles like her

Sridevi carries ChaalBaaz entirely on her shoulders, effortlessly switching between the timid Anju and the brash Manju. Sunny Deol and Rajinikanth pale in comparison.

Love in Simla—Bollywood film that popularised Sadhana cut & showcased India’s new elite

Sadhana is the heart of Love in Simla. Her transformation from a shy, awkward girl to a graceful woman is one of the most enjoyable parts of the film.

On Camera

India’s urban co-op banks are turning the page—crisis to cautious revival, one metric at a time

With bad loans shrinking & capital buffers stronger, urban co-op banks’ new umbrella body NUCFDC is now prioritising rollout of digital transformation.

Greece looking at TATA’s WhAP infantry combat vehicle for army procurement

If deal goes through, Greece will be 2nd foreign country to procure vehicle. Morocco was first; TATA Group has set up manufacturing unit there with minimum 30 percent indigenous content.

A year-end Mea Culpa in National Interest—The Army-Islam combo doesn’t kill democracy

Many of you might think I got something so wrong in National Interest pieces written this year. I might disagree! But some deserve a Mea Culpa. I’d deal with the most recent this week.