At the exhibition ‘Cellulloid Sojourn’, the National Gallery of Modern Art is celebrating the women of Indian cinema, as well as the artists and photographers who captured them.
The show Da Vinci Genius made its India debut at NESCO Centre in Mumbai last week. It brings the Renaissance master’s art, inventions, and ideas to life through projections, AI, and play.
During the pandemic, Goa’s beaches became an unlikely sanctuary. At night, they turned into “a Fellini film”, with dogs moving between shores like characters in a nocturnal dream sequence.
‘Biennale is such a loaded word. There is a certain expectation and responsibility,’ said festival director Siddharth Sivakumar. He wants to bring back focus on art in West Bengal.
Inaugurating the Biennale’s first exhibition, Tamil film director Pa Ranjith said that there is a growing gap between people and art, and spaces like the CPB are crucial for bridging it.
For nearly two decades, Eklavya Prasad has wielded his camera like a storyteller’s pen, capturing untold tales of resilience and despair from the flood-ravaged lands of North Bihar.
An exhibition at Delhi’s DAG World revisits MF Husain’s paintings a decade after his death in 2011 in London. He left India in 2006 amid hundreds of legal cases, virulent abuse, hate speech, assault, and a climate of fear.
In the first eight months of the current fiscal year, New Delhi’s net tax intake didn’t even hit the halfway mark of what it expects to collect by March 31.
As Visakhapatnam readies a mega airport, the Andhra Pradesh government has revived its shelved Dagadarthi project, aiming to boost cargo and connectivity on the south coast.
While both India and China have carried out disengagement in Eastern Ladakh, the process of de-escalation is still under discussion & has not been agreed upon.
UK, EFTA already in the bag and EU on the way, many members of RCEP except China signed up, and even restrictions on China being lifted, India has changed its mind on trade.
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