The ad was more than just a promotion. It transformed an everyday activity into a playful, mini science experiment that surprised and delighted readers over their morning coffee.
Despite all the fun Mentos and Ogilvy West promise, the commercial is bland and devoid of any storytelling. And the most important part of an engaging ad—humour—is missing.
WhatsApp’s privacy commercials previously struggled to seamlessly incorporate the application’s security features. But this time around, things fell into place for the brand.
The ‘Will of Change,’ campaign, created by Ogilvy Bengaluru, backs its initiative with data — only 7 per cent of daughters receive an equal inheritance through a will.
In trade spats and geopolitical manoeuvres alike, China weathers the storm with the power of its narrative. Pseudonyms like Zhong Caiwen are an important part of it.
Recommendations appear in Niti Aayog’s Tax Policy Working Paper Series–II. It says there is a need to shift away from fear-based enforcement to trust-based governance.
In service with the British military since 2019, it is also known as the Martlet missile. Ukrainians have also deployed these missiles against Russian troops.
Education, reservations, govt jobs are meant to bring equality and dignity. That we are a long way from that is evident in the shoe thrown at the CJI and the suicide of Haryana IPS officer. The film Homebound has a lesson too.
Komolika and Prerna were stupid characters from an idiotic circus “Kasautii Zindagi Ke”. No millennial I know of took these buffoons seriously. Most certainly words such as “icons” are nit meant to be bandied about.
The less said about Ganji Chudail the better.
Pathetic reportage. Lame journalism.
Komolika and Prerna are “childhood icons of millennials” and Youtube recreated the “magic of Ekta Kapoor’s daily soap”?
Ganji Chudail is a “cultural icon”?
In Ms. Triya Gulati, The Print has found a journalist who keeps giving, sort of the golden goose.
It’s hilarious and ridiculous at the same time. Every single Ekta Kapoor soap was cringe. No millennials watched them. It was their parents, usually the mothers and aunts of millennials, who watched these fetid and putrid shows.
Komolika and Prerna were stupid characters from an idiotic circus “Kasautii Zindagi Ke”. No millennial I know of took these buffoons seriously. Most certainly words such as “icons” are nit meant to be bandied about.
The less said about Ganji Chudail the better.
Pathetic reportage. Lame journalism.
Komolika and Prerna are “childhood icons of millennials” and Youtube recreated the “magic of Ekta Kapoor’s daily soap”?
Ganji Chudail is a “cultural icon”?
In Ms. Triya Gulati, The Print has found a journalist who keeps giving, sort of the golden goose.
It’s hilarious and ridiculous at the same time. Every single Ekta Kapoor soap was cringe. No millennials watched them. It was their parents, usually the mothers and aunts of millennials, who watched these fetid and putrid shows.