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Saturday, January 3, 2026
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Reel Take

Loafer is proof of Dharmendra’s unmatched versatility

The film's appeal rests on three pillars: Dharmendra’s magnetism, Mumtaz’s glamour, and Laxmikant-Pyarelal's evergreen score.

‘Two Sinners’ is about vigilante justice. It asks tough questions in a 12-minute runtime

In Two Sinners, Azhar and his brother Hussain are on the brink of delivering vigilante justice to Mushtaq. The only information the audience knows is that he has assaulted a woman.

Raaj Kumar & Meena Kumari’s chemistry saves ‘Kaajal’

Known for his unique dialogue delivery and often stylish avatars, Raaj Kumar opts for subtlety in Kaajal. His eyes alternate with ease between anger and pain.

Khatta Meetha was Bollywood’s first blended-family film. Progressive without preaching

The beauty of Basu Chatterjee’s storytelling in Khatta Meetha was that he didn’t show remarriage as something frowned upon or in need of justification.

Gumnaam turned Agatha Christie’s classic whodunit into a Bollywood masala film

Unlike Agatha Christie's book, which explores the lives and thoughts of the characters, Gumnaam puts the spotlight on Mehmood's antics and Manoj Kumar and Nanda's chemistry.

Satish Shah played a dead body in ‘Jaane Bhi Do Yaaro’. And stole the show

Few movies have been able to do justice to dark humour the way this four-decade-old film does. The corpse at the centre of the film speaks loudly about the death of morality.

A ghost, war veteran & a lost nation—Hrishikesh Mukherjee’s Naukri was ahead of its time

Similar to what Charles Dickens did in A Christmas Carol, the ghost in Naukri becomes a device to teach the living the meaning of life.

Amitabh and Amjad’s real-life friendship played out in Yaarana. It’s usually different on-screen

Tere Jaisa Yaar Kahan—a Kishore Kumar classic—not just echoed the friendship between the characters in the movie, but also how the duo stood by each other in real life.

Satyajit Ray’s 1960 Devi shows God-fearing rural Bengal—and devotion delusion

Sharmila Tagore delivers one of the most haunting performances of her career in Devi. She was only 14 years old.

From Kasegaon to LSE — documentary brings Gail Omvedt and Bharat Patankar to global stage

Director of Gail & Bharat documentary Somnath Waghmare said even upper-caste scholars who have worked on Dalit literature are not called Dalit scholars, but Omvedt is addressed as an Ambedkarite scholar.

On Camera

India’s urban co-op banks are turning the page—crisis to cautious revival, one metric at a time

With bad loans shrinking & capital buffers stronger, urban co-op banks’ new umbrella body NUCFDC is now prioritising rollout of digital transformation.

Greece looking at TATA’s WhAP infantry combat vehicle for army procurement

If deal goes through, Greece will be 2nd foreign country to procure vehicle. Morocco was first; TATA Group has set up manufacturing unit there with minimum 30 percent indigenous content.

A year-end Mea Culpa in National Interest—The Army-Islam combo doesn’t kill democracy

Many of you might think I got something so wrong in National Interest pieces written this year. I might disagree! But some deserve a Mea Culpa. I’d deal with the most recent this week.