During a discussion at the India International Centre, senior journalist Saeed Naqvi remembered Faiz Ahmad Faiz, Sahir Ludhianvi, and banter in Urdu poetry.
From dancers in Madurai to ASHA workers protesting in Kerala and interacting with police job aspirants in Mumbai, Paromita Vohra’s film presents the work that we often fail to see.
Former IPS officer Anju Gupta was in conversation with former IB director Rajeev Jain at the launch of her book, ‘Glocal Terror’, at the India International Centre in New Delhi.
A contributor to City Limits: The Crisis of Urbanisation, Aravind Unni called the new urban model a ‘demolition city'. He said the govt has weaponised urban policies for displacement and called it ‘Hindutva Urbanism'.
Titled ‘Recalibrating Partition’, the discussion at the India International Centre brought together perspectives from across the country to rethink Partition.
Directed and performed by Paperclip’s co-founders, 'Blame it on Nehru' was performed for the first time in Delhi on 22 March at the Bangiya Samaj Mancha.
When men write sex scenes, Paromita Vohra finds an overuse of metaphor & description. 'It’s too much like an action scene,' she said during a conversation on her anthology, Love, Sex and India.
Mumbai's Kanheri Caves were a flourishing Buddhist monastery until the 16th century. A DAG heritage walk titled 'Tracing Stone & Shadow' cast fresh light on their history.
The current Iran war has laid bare a fundamental reality: 20 per cent of global energy trade cannot afford to rely on a single artery, no matter how resilient and cost-effective.
Regulator seeks feedback on allowing firms to repurchase shares via exchanges after tax changes, as markets reel from war-led selloff and foreign outflows.
It’s easy to understand why the government can’t speak the hard truth. When this war ends, as all wars do, India’s interests will lie with both the winner and the loser.
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