Both Pandher and Koli now free, life moves on in the Sector 31 village where children disappeared—glass façades rise and land now costs crores per plot.
One affirms guilt, the other embraces grave doubt. Together, they form a striking chronicle of judicial reasoning shaped by different philosophies of criminal justice.
Nick Jonas is not trying to modernise the mangalsutra, but his gesture shows that choices can be equal. If commitment must be flaunted, it need not be gendered.
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