Instead of spending limited state capacity on policing obscene content, India should invest in media literacy and public-service broadcasting to build a mature society.
The film, Jhansi Ka Rajkumar, also features ‘Aspirants’ fame Namita Dubey, and is set to release this week on Waves, a digital streaming platform developed by Prasar Bharati.
On 23 October, the IFFI announced Australia as its Country of Focus for the 55th edition in Goa. Last year, the two countries entered into an audio-visual co-production agreement.
Prasar Bharati can offer high-definition sports content, but risks falling short on delivering user experience that private broadcasters invest heavily in.
OTT companies deliver leviathan revenues to their home countries—and little to no contributions to the Indian govt as they do not pay any license fee or regulatory costs.
Rafiath Rashid Mithila started her acting career when she was in class III. Mithila’s rise is in sync with the growth of OTT platforms like Bangladesh’s Chorki and West Bengal’s HoiChoi.
The meeting was attended by Amazon, Disney, Netflix, Reliance’s broadcast unit, Viacom18, and Apple TV. Govt asked to ensure that streaming content aligns with code of ethics.
Three years into the war, Europe’s sanctions regime now resembles a policy of managed hypocrisy: Moral rhetoric for public consumption, exemptions for industrial preservation.
While global corporations setting up GCCs in India continue to express confidence in availability of skilled AI engineers, the panel argued that India’s real challenge lies elsewhere.
Without a Congress revival, there can be no challenge to the BJP pan-nationally. Modi’s party is growing, and almost entirely at the cost of the Congress.
COMMENTS