Neelesh, the protagonist of Dhadak 2, is not a failed version of SRK; he represents a new cinematic masculinity shaped by historical oppression and injustice.
Critics say filmmakers fall back on casting familiar faces and relying on a shallow understanding of rural life. It ultimately creates a distorted version of reality on screen.
India’s counter-terror focus must go beyond organised modules to include individual radicalisation, mental health-linked violence, and spontaneous attacks in public spaces.
While the commission didn’t mention provisions under which IndiGo's market domination would be examined, Competition Act 2002 prohibits abuse of dominant position by any enterprise.
It is argued that India-Israel ties are moving from buyer–seller dynamic to one focused on joint development & manufacturing partnership, a shift 'more durable' than traditional arms sales.
Don’t blame misfortune. This is colossal incompetence and insensitivity. So bad, heads would have rolled even in the old PSU-era Indian Airlines and Air India.
This is a very insightful piece. I like how it goes beyond the ‘Dalit SRK’ analogy and situates Dhadak 2 in an Ambedkarite grammar of love and resistance.
This is a very insightful piece. I like how it goes beyond the ‘Dalit SRK’ analogy and situates Dhadak 2 in an Ambedkarite grammar of love and resistance.