Neelesh, the protagonist of Dhadak 2, is not a failed version of SRK; he represents a new cinematic masculinity shaped by historical oppression and injustice.
Critics say filmmakers fall back on casting familiar faces and relying on a shallow understanding of rural life. It ultimately creates a distorted version of reality on screen.
Less than a year before the First Constitutional Amendment, Patel wrote to Nehru about Supreme Court rulings that had 'knocked the bottom out' of press control laws.
IAF is fine with accepting the aircraft with 'must-haves', even if some other steps remain pending, which may take at least another year, it is learnt.
This is a very insightful piece. I like how it goes beyond the ‘Dalit SRK’ analogy and situates Dhadak 2 in an Ambedkarite grammar of love and resistance.
This is a very insightful piece. I like how it goes beyond the ‘Dalit SRK’ analogy and situates Dhadak 2 in an Ambedkarite grammar of love and resistance.