Written and directed by Vijay Ashok Sharma, actor Amol Parashar performed a 75-minute solo show about sex, shame, and intimacy at Delhi’s Stein Auditorium.
Bhaagi Hui Ladkiyaan is a bold, irreverent play staged as part of Kiran Nadar Museum of Art’s inaugural theatre festival in Sundar Nursery. ‘Imagine being a fly on the wall in Nizamuddin Basti.’
Everything was designed to immerse the audience. The floor was mopped with Dettol to evoke the smell of a hospital, the ACs were cranked up to mimic an uncomfortable waiting room.
Over generations, Bihar’s bane has been its utter lack of urbanisation. But now, even Bihar is urbanising. Or let’s say, rurbanising. Two decades under Nitish Kumar have created a new elite in its cities.
Indian govt officials last month skipped Turkish National Day celebrations in Delhi, in a message to Ankara following its support for Islamabad, particularly during Operation Sindoor.
Bihar is blessed with a land more fertile for revolutions than any in India. Why has it fallen so far behind then? Constant obsession with politics is at the root of its destruction.
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