In ‘Western Media Narratives on India’, Umesh Upadhyay writes about how former colonisers maintain their sway using media. He focuses on how the narrative was spinned in India from 1947 to now.
Today, works from the Mewar school such as manuscript illustrations, portraits and tamasha paintings are housed in museums and private collections across the world, including the City Palace Museum and the Government Museum in Udaipur.
In ‘Rukmini Devi Arundale’, VR Devika traces the life of the dancer who was offered the position of the President of India. The book is part of a series on the pioneers of modern India.
Nitin Seth’s ‘Mastering The Data Paradox’ is a guide to big data. It offers and expansive and actionable framework to unlock the potential of AI and data.
In ‘The Arc of Memory’, Murlidhar C Bhandare, Congress leader and former governor of Odisha recounts his life events set to the backdrop of India’s history.
In ‘Whose Ramayana is it Anyway’, Natasha Sarkar highlights the multiple variations of the epic with nearly a hundred accompanying watercolours painted by her.
The ECI needs to respond to Rahul Gandhi’s accusations professionally and transparently. Else, it will end up giving him the ammunition he is desperately seeking.
India’s industrial output growth saw a 10-month low in June, with Index of Industrial Production (IIP) growing by mere 1.5% as against 1.9% in May 2025.
Gen Dwivedi framed Op Sindoor not just as retaliation to Pahalgam, but as demonstration of India’s capability to fight multi-domain conflicts with integration between services & agencies.
Standing up to America is usually not a personal risk for a leader in India. Any suggestions of foreign pressure unites India behind who they see as leading them in that fight.
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