While Manoj Kumar’s Shankar is easy on the eyes in the first half and turns into a Devdas-like figure in the second, it’s the two female leads who drive the storyline.
Feroze Khan paid close attention to the sartorial choices of each character. His eclectic wardrobe featured colourful scarves paired with shirts left unbuttoned till his navel.
Music carries the film’s romance. Songs such as ‘Dekho Maine Dekha Hai Yeh Ek Sapna’ and ‘Kya Ghazab Karte Ho Ji’ express the hope and the giddiness of young love.
The grandmother's insistence on consulting a girl’s astrological birth chart to determine her capacity to bear a son underlines how superstition and patriarchy are deeply intertwined.
Bachchan’s characterisation of Vicky Kapoor, the spoiled child of a wealthy businessman who becomes a raging alcoholic—but without a mean streak—cemented his cult status.
The tragedy of the 1970 movie lies in its squandered potential. As young actors, both Hema Malini and Shashi Kapoor's performances lacked emotional depth.
Anvita Brahmbhatt draws from her personal experiences to build the relationship between a mother and her adult daughter in her film 'Over A Cup of Chai'.
Indian govt officials last month skipped Turkish National Day celebrations in Delhi, in a message to Ankara following its support for Islamabad, particularly during Operation Sindoor.
Bihar is blessed with a land more fertile for revolutions than any in India. Why has it fallen so far behind then? Constant obsession with politics is at the root of its destruction.
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