Daag would go on to establish Chopra as a filmmaker who would not just explore the fun elements of romance but also touch upon subjects like infidelity, and in this case, bigamy.
The 1963 film Dil Hi Toh Hai, starring Raj Kapoor and Nutan, is a compelling outlier in the ‘Muslim Social’ genre. It defied conventions, even if gently.
Based on Rajinder Singh Bedi’s Urdu novel, the 1986 film directed by Sukhwant Dhadda is a portrayal of a woman’s bruised dignity and the silent scream of suppressed rebellion.
Sridevi carries ChaalBaaz entirely on her shoulders, effortlessly switching between the timid Anju and the brash Manju. Sunny Deol and Rajinikanth pale in comparison.
The 1977 film Doosara Aadmi explored obsession, longing, and the human tendency to seek lost love in new relationships. It’s one of Rakhee’s most nuanced performances.
If it weren’t for its memorable songs, Kal Aaj Aur Kal would likely have faded into obscurity with its lacklustre performances, weak writing, and no memorable dialogues.
Mehmood made the film to raise awareness about polio, which had affected his own son, Maqdoom Ali. It also marked the acting debut of his other son, Lucky Ali.
In May 1974, RSS chief Madhukar Dattatraya Deoras spoke at a lecture series in Pune about caste-based discrimination and social equality within the Hindu fold.
SEBI probe concluded that purported loans and fund transfers were paid back in full and did not amount to deceptive market practices or unreported related party transactions.
While the IAF remains committed to the Tejas programme and has placed orders for 180 Tejas Mk1A, the force is eagerly waiting for the Tejas Mk 2 version.
What Munir has achieved with Trump is a return to normal, ironing out the post-Abbottabad crease. The White House picture gives us insight into how Pakistan survives, occasionally thrives and thinks.
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