In Two Sinners, Azhar and his brother Hussain are on the brink of delivering vigilante justice to Mushtaq. The only information the audience knows is that he has assaulted a woman.
Known for his unique dialogue delivery and often stylish avatars, Raaj Kumar opts for subtlety in Kaajal. His eyes alternate with ease between anger and pain.
The beauty of Basu Chatterjee’s storytelling in Khatta Meetha was that he didn’t show remarriage as something frowned upon or in need of justification.
Unlike Agatha Christie's book, which explores the lives and thoughts of the characters, Gumnaam puts the spotlight on Mehmood's antics and Manoj Kumar and Nanda's chemistry.
Few movies have been able to do justice to dark humour the way this four-decade-old film does. The corpse at the centre of the film speaks loudly about the death of morality.
Tere Jaisa Yaar Kahan—a Kishore Kumar classic—not just echoed the friendship between the characters in the movie, but also how the duo stood by each other in real life.
Mustafizur Rahman was not representing Bangladesh; he was representing Kolkata. Singling him out simply because of his nationality shows a selective and convenient moral logic.
Republican Senator Lindsey Graham says bill will be 'well-timed, as Ukraine is making concessions for peace and Putin is all talk, continuing to kill the innocent'.
Islamabad-based think-tank PICSS's new report says Pakistan saw 'pronounced escalation' in violence last year, with 3,413 conflict-related deaths compared to 1,950 in previous year.
Many of you might think I got something so wrong in National Interest pieces written this year. I might disagree! But some deserve a Mea Culpa. I’d deal with the most recent this week.
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