Shantam Goyal Author at ThePrint

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10 POSTS

Filmmaker Saeed Akhtar Mirza’s new book confronts the shaky façade of global politics

Filmmaker Saeed Akhtar Mirza’s new book confronts the shaky façade of global politics

Shantam Goyal -

August 19, 2018

Boria Majumdar’s ‘Eleven Gods and a Billion Indians’ gives us no new answers

Boria Majumdar’s ‘Eleven Gods and a Billion Indians’ gives us no new answers

Shantam Goyal -

June 3, 2018

Toni Morrison’s ‘The Origin of Others’ looks at the colour of skin and why race still matters

Toni Morrison’s ‘The Origin of Others’ looks at the colour of skin and why race still matters

Shantam Goyal -

May 27, 2018

This is not the time to forget race, says Toni Morrison’s new book

This is not the time to forget race, says Toni Morrison’s new book

Shantam Goyal -

March 31, 2018

Dalmia’s ‘Fiction as History’ undercuts grand narratives to tell unspeakable tales

Dalmia’s ‘Fiction as History’ undercuts grand narratives to tell unspeakable tales

Shantam Goyal -

March 25, 2018

Mark Tully’s ‘Upcountry Tales’: Between the journalistic and the cinematic

Mark Tully’s ‘Upcountry Tales’: Between the journalistic and the cinematic

Shantam Goyal -

January 1, 2018

No Songs for Silence: A Review of Gulzar’s ‘Two’

No Songs for Silence: A Review of Gulzar’s ‘Two’

Shantam Goyal -

December 9, 2017

The Sick of History: A Review of Sing, Unburied, Sing

The Sick of History: A Review of Sing, Unburied, Sing

Shantam Goyal -

December 3, 2017

Fighting Like Animals: A Review of Omar El Akkad’s American War

Fighting Like Animals: A Review of Omar El Akkad’s American War

Shantam Goyal -

November 5, 2017

‘The Golden House’ is Rushdie’s twisted retelling of Dostoevsky’s ‘The Brothers Karamazov’

‘The Golden House’ is Rushdie’s twisted retelling of Dostoevsky’s ‘The Brothers Karamazov’

Shantam Goyal -

October 3, 2017