Compared to Bollywood’s brash, tone-deaf and stereotypical offerings, South India is producing more nuanced queer films. But it is not enough, say critics.
Digitisation and phones might have made physical calendars obsolete, but Delhi photographer Rishab Dahiya is helping it make a comeback with a new message.
From ALTBalaji’s The Married Women, Neeraj Ghawyan’s Geeli Pucchi on Netflix, to Ekta Kapoor’s upcoming His Storyy, there’s a new wave of queer storylines.
During the lockdown, it is impossible for members of India’s transgender and intersex community to be a part of the consultative process on the Transgender Persons Act draft rules.
From stolen kisses to doing drag, India’s TikTok users are showing how to be queer openly. Because when the times are a changin’, you will see it on TikTok.
With two hostile neighbours in the immediate vicinity and one in the greater region, it is imperative that New Delhi forge alliances that can offer some stability.
Recommendations appear in Niti Aayog’s Tax Policy Working Paper Series–II. It says there is a need to shift away from fear-based enforcement to trust-based governance.
In service with the British military since 2019, it is also known as the Martlet missile. Ukrainians have also deployed these missiles against Russian troops.
Education, reservations, govt jobs are meant to bring equality and dignity. That we are a long way from that is evident in the shoe thrown at the CJI and the suicide of Haryana IPS officer. The film Homebound has a lesson too.
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