Rajesh Khanna and Sharmila Tagore played a couple falling apart in Aavishkar. Basu Bhattacharya based it on his own marriage and even filmed it in his house.
Feroze Khan paid close attention to the sartorial choices of each character. His eclectic wardrobe featured colourful scarves paired with shirts left unbuttoned till his navel.
Music carries the film’s romance. Songs such as ‘Dekho Maine Dekha Hai Yeh Ek Sapna’ and ‘Kya Ghazab Karte Ho Ji’ express the hope and the giddiness of young love.
The grandmother's insistence on consulting a girl’s astrological birth chart to determine her capacity to bear a son underlines how superstition and patriarchy are deeply intertwined.
The tragedy of the 1970 movie lies in its squandered potential. As young actors, both Hema Malini and Shashi Kapoor's performances lacked emotional depth.
Daag would go on to establish Chopra as a filmmaker who would not just explore the fun elements of romance but also touch upon subjects like infidelity, and in this case, bigamy.
The 1963 film Dil Hi Toh Hai, starring Raj Kapoor and Nutan, is a compelling outlier in the ‘Muslim Social’ genre. It defied conventions, even if gently.
The 'ghuspaithiya' narrative is being whipped up precisely when illegal immigration has actually diminished. Like most BJP-RSS ideas, it’s just an unimaginative Right-wing trope.
With non-leather products driving global footwear demand between 2020 and 2024, India’s global market share stood at 1.85% in 2024, says a NITI Aayog report.
ISKP, a sub-continental branch of the Islamic State, is said to have vowed to extend operations in Kashmir, on encouragement from Pakistan’s security establishment.
Pakistan’s army has been a rentier force available to a reasonable bidder. It has never come to the aid of any Muslims including Palestinians or the Gazans, except making noises here and there.
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