Like Pakeezah, Kamal Amrohi’s Razia Sultan had all the right ingredients–superstar Hema Malini as leading lady, Bhanu Athaiya as costume designer, and Khayyam as music director. But none of it could translate into magic on screen.
Shyam Benegal’s adaptation of Dharamvir Bharati’s novel 'Suraj Ka Satvan Ghoda' has a layered narrative structure. Its non-linear storytelling blurs the line between fiction and reality.
Jeevan Mrityu was a revenge thriller produced by Tarachand Barjatya, a break from the ‘clean’ family entertainers that the production house was then known for.
'Muqaddar Ka Sikandar' cemented the partnership between Bachchan and Prakash Mehra who directed the movie. The two had worked together in Zanjeer, which was Bachchans’ breakout film.
In 'Swaha', filmmaker Abhilash Sharma tackles discrimination, desperation and exploitation. It is set to be screened at IFFK's 'Indian Cinema Now' section this year.
Rekha’s entry catapults the movie into a league of its own. She unapologetically questions why society is quick to shame women for their choices while excusing men.
Uniformity of rules should be the playbook across sectors. Different rules, whether for telecom players, retail entities or online businesses, would invariably trigger the level-playing questions.
On 4 November 2025, NCLAT bench, comprising Chairperson Justice Ashok Bhushan and Member Arun Baroka, noted that WhatsApp and Meta are distinct legal entities.
This world is being restructured and redrawn by one man, and what’s his power? It’s not his formidable military. It’s trade. With China, it turned on him.
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