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Friday, November 14, 2025
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Reel Take

Rekha’s Khoon Bhari Maang showed revenge doesn’t have to be violent—it can also be fashionable

Eccentric headgear, leather outfits, lace gloves, pearls—Rekha’s sartorial choices dominated Rakesh Roshan’s thriller.

Bollywood’s playful resistance to Emergency was Rekha’s Khubsoorat

Khubsoorat won the Filmfare Best Film award in the 1980s. It established Rekha as a star who could carry a film on her own, even in the absence of famous male hero.

‘Insaf Ka Tarazu’ was well-intentioned but couldn’t resist rape fetishisation of ’80s Bollywood

BR Chopra's 1980 remake of 'Lipstick' revived Raj Babbar's career, stalled for three years after his banned debut 'Kissa Kursi Ka'. Despite hesitation, Babbar accepted the role of a serial rapist.

‘Dosti’ was 1964’s breakout hit. A Bollywood film with no romance, hero-villain drama

Its actors, Sudhir Kumar and Sushil Kumar, were not superstars. The music was directed by Laxmikant-Pyarelal, when they were still not the powerhouse they eventually became.

‘Aasha’ explored a different view of one-sided love—that of the woman

Aasha, played by Reena Roy, is complex and empathetic—something female characters in Om Prakash movies have in common.

Sai Paranjpye’s ‘Sparsh’ squashes the ‘lachar-bechara’ image of blind people

Sparsh also highlights that number of books in Braille is abysmally low. It also shows how stories for the blind must make sense to them.

‘Ankhiyon Ke Jharokhon Se’ was a remake of an American novel. Here, parents aren’t villains

It steers clear of the traditional Bollywood stereotype of the Christian woman who goes on dates and loves to party. Lily is shown as an intelligent, studious and ambitious woman.


‘Mashaal’ mixed news media with melodrama. It made Anil Kapoor an ‘A-grade hero’

The 1980s were a tough time for Yash Chopra. He directed Mashaal after two of his major films, Silsila and Faasle, flopped at the box office.

‘Julie’ tackled pre-marital sex and pregnancy sensitively. It still fell prey to stereotypes

What stands out the most in Julie is the music. Music director Rajesh Roshan says he created the song Dil Kya Kare in 10 minutes. And Kishore Kumar was at his magical best.

Disturbing, unsettling, but necessary—Shyam Benegal’s ‘Nishant’ could easily be a 2024 story

Benegal’s 1975 film is violent and brutal, an unflinching gaze on everything that can go wrong in a society where illiteracy is rampant and landlords hold all the power.

On Camera

How Nitish Kumar turned all rules of voter behaviour on their head

The conventional wisdom is that if a govt fails to improve the lot of the voters, it is punished. Kumar presided over an economic disaster for 20 years and was re-elected by a landslide.

Wealth nears $99 trillion, still Asia’s rich don’t have succession plans

Much of this wealth is tied to founder-led businesses that employ millions and help anchor regional economies.

Turkey blocks transport of Apache choppers to India through its airspace, new route being worked out

Indian govt officials last month skipped Turkish National Day celebrations in Delhi, in a message to Ankara following its support for Islamabad, particularly during Operation Sindoor.

Bihar is where politics moves, and everything else stands still

Bihar is blessed with a land more fertile for revolutions than any in India. Why has it fallen so far behind then? Constant obsession with politics is at the root of its destruction.