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From ‘Purab aur Paschim’ to ‘Kranti’: A look at Manoj Kumar’s cinematic legacy on his birthday

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New Delhi [India], July 24 (ANI): In the annals of Indian cinema, there are few figures as iconic as veteran actor Manoj Kumar.

Born on July 24, 1937, the legendary actor and director not only graced the silver screen with his charismatic presence but also left an indelible mark on the hearts and minds of people in India and outside.

Manoj Kumar, originally Harikrishna Giri Goswami, adopted his screen name as a tribute to his idol, the legendary actor Dilip Kumar.

Little did he know that he would carve a niche for himself that would stand the test of time. His cinematic journey began at a time when Indian cinema was undergoing a transformative phase, navigating the tumultuous waters.

What sets Manoj Kumar apart from his peers is not just his acting prowess but also his ability to embody the spirit of nationalism and social consciousness in his films.

He became the epitome of the ‘Bharat Kumar’ persona, a patriot whose every role exuded love for the motherland and a quest for justice and righteousness.

His films weren’t just entertainers; they were powerful vehicles of social change and reflection, resonating deeply with audiences across generations.

From his breakout role in ‘Hariyali Aur Rasta’ to the timeless classics like ‘Purab aur Paschim’, ‘Upkaar’, and ‘Kranti’, Manoj Kumar’s filmography is a tapestry woven with threads of patriotism, social realism, and humanism.

Each film not only showcased his acting versatility but also his astute understanding of the socio-political landscape of India.

As a director, Manoj Kumar continued to push boundaries, delivering impactful narratives that challenged conventions and sparked meaningful conversations.

Films like ‘Roti Kapda Aur Makaan’ and ‘Clerk’ stand as testaments to his directorial acumen and his commitment to highlighting the struggles and triumphs of the common man.

Beyond the glitz and glamour of Bollywood, Manoj Kumar remains a revered figure whose cinematic legacy transcends time and borders.

His films continue to inspire, educate, and entertain, reminding of the power of storytelling in shaping societal consciousness.

On his 87th birthday, here is a look at some of his cinematic gems:

1. Purab aur Paschim (1970)

Manoj Kumar’s portrayal of Bharat, a quintessential Indian rooted in traditional values, juxtaposed against a modern and liberal West, became a cultural phenomenon. The film’s message of Indian ethos resonated deeply during its time and continues to be relevant.

2. Shor (1972)

In ‘Shor’, Manoj Kumar delivered a poignant performance as a struggling mill worker who fights against injustice. His earnest portrayal won hearts and highlighted his versatility as an actor capable of both intense drama and subtle emotions.

3. Roti Kapda Aur Makaan (1974)

This socially relevant film directed by Manoj Kumar tackled the stark realities of poverty and inequality. His role as Bharat, a man who fights for the basic necessities of life, showcased his commitment to portraying issues affecting the common man.

4. Upkaar (1967)

Manoj Kumar’s role as Bharat, a selfless farmer who sacrifices his personal happiness for the nation, earned him widespread acclaim. The film’s patriotic undertones and his heartfelt performance made ‘Upkaar’ a milestone in his career.

5. Kranti (1981)

‘Kranti’ stands tall as a classic of Indian cinema, with Manoj Kumar at its helm as both actor and director. Set during the Indian Independence struggle, the film’s grandeur and its ensemble cast, including Dilip Kumar and Shashi Kapoor, cemented its status as a classic.

Beyond acting, Manoj Kumar’s directorial ventures like ‘Roti Kapda Aur Makaan’ and ‘Kranti’ demonstrated his deep understanding of societal issues and his knack for weaving compelling narratives that resonate with the masses.

Manoj Kumar’s films were not merely entertainment, they were powerful reflections of Indian culture, values, and the struggle for freedom and justice. (ANI)

This report is auto-generated from ANI news service. ThePrint holds no responsibility for its content.

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